Chart Art Fair. Moa Alskog, Henrik Plenge Jakobsen, Asta Lynge. August 28 - August 31, 2025

Moa Alskog’s practice unfolds around the human relation to nature. She builds worlds with images and text, in dialog with other artists, historians and scientists. Often by making the small, big. Currently, Alskog works on portraits of soil-microorganisms. The vital lives that live in the dirt that cover our planet. The portraits are part of an ongoing project dealing with the idea of the Utopia. Method, material and motif are equally important in the artist’s work. Alskog (re-)uses the material she finds around her, for example wasted insects net, vinyl floor as canvas, plastic bag frames, images and ideas. 

Moa Alskog (SE, 1985) holds a MFA from The Danish Art Academy of Fine Arts (2016). Past exhibitions include: Lagune Ouest (Copenhagen), Ugo experimental platform (Malmö), Alta Art Space (Malmö), Amager Skulpturpark (Copenhagen), Nikolaj Kunsthal (Copenhagen), Loggia (Munich), AGA (Copenhagen), Havebiennalen (Copenhagen), and Elisabeth Arts Foundation (New York). 

Henrik Plenge Jakobsen's artistic work is based on conceptual sculpture, installation, performance and art in public space. He works with universal themes in economics, history and politics as well as basic existential phenomena such as anxiety, alienation and coexistence. 

Henrik Plenge Jakobsen (DK, 1967) is educated from the Royal Danish Academy of Fine Arts, Institute des Hautes Etudes en Art Plastique and Ecole Nationale Supérieure des Beaux Arts, Paris (1994).
Past exhibitions include: Den Frie  (Copenhagen), Arken Museum of Contemporary Art (Ishøj), Kunstverein für die Rheinlande und Westfalen (Düsseldorf), South London Gallery (London), SMK - The National Gallery of Denmark (Copenhagen), Palais de Tokyo (Paris), Taipei Biennial (Taiwan), FRAC - Ile de France (Paris), Portikus (Frankfurt am Main), and Louisiana Museum of Modern Art (Humlebæk). 

Asta Lynge works associatively across materials and processes. She is interested in the notion of progress and its inherent affiliation with technology.

Asta Lynge (b. 1988, Denmark) holds a BFA from Central Saints Martins (2012) and was part of the first iteration of the CSM Associate Studio Programme (2013-16). Past exhibitions include: Overbeck Gesellschaft Kunstverein Lübeck (Lübeck), Malmö Konsthall (Malmö), Den Frie (Copenhagen), Skal Contemporary (Skagen), Overgaden (Copenhagen), Francis Irv (New York), Braunsfelder (Cologne), Giorno Poetry Systems (New York), Kunsthal Charlottenborg (Copenhagen), Cherry Hill (Cologne), HEART Museum of Contemporary Art (Herning), Fuglsang Kunstmuseum (Fuglsang), Lagune Ouest (Copenhagen), Le Bourgeois (London), Cittipunkt (Berlin), Cucina (Copenhagen), BIZARRO (Copenhagen) and dépendance (Brussels). Lynge is the recipient of Anne Marie Carl Nielsen’s talent prize (2022).

Moa Alskog’s practice unfolds around the human relation to nature. She builds worlds with images and text, in dialog with other artists, historians and scientists. Often by making the small, big. Currently, Alskog works on portraits of soil-microorganisms. The vital lives that live in the dirt that cover our planet. The portraits are part of an ongoing project dealing with the idea of the Utopia. Method, material and motif are equally important in the artist’s work. Alskog (re-)uses the material she finds around her, for example wasted insects net, vinyl floor as canvas, plastic bag frames, images and ideas.

Moa Alskog (SE, 1985) holds a MFA from The Danish Art Academy of Fine Arts (2016). Past exhibitions include: Lagune Ouest (Copenhagen), Ugo experimental platform (Malmö), Alta Art Space (Malmö), Amager Skulpturpark (Copenhagen), Nikolaj Kunsthal (Copenhagen), Loggia (Munich), AGA (Copenhagen), Havebiennalen (Copenhagen), and Elisabeth Arts Foundation (New York).

Henrik Plenge Jakobsen's artistic work is based on conceptual sculpture, installation, performance and art in public space. He works with universal themes in economics, history and politics as well as basic existential phenomena such as anxiety, alienation and coexistence. 

Henrik Plenge Jakobsen (DK, 1967) is educated from the Royal Danish Academy of Fine Arts, Institute des Hautes Etudes en Art Plastique and Ecole Nationale Supérieure des Beaux Arts, Paris (1994). Past exhibitions include: Den Frie  (Copenhagen), Arken Museum of Contemporary Art (Ishøj), Kunstverein für die Rheinlande und Westfalen (Düsseldorf), South London Gallery (London), SMK - The National Gallery of Denmark (Copenhagen), Palais de Tokyo (Paris), Taipei Biennial (Taiwan), FRAC - Ile de France (Paris), Portikus (Frankfurt am Main), and Louisiana Museum of Modern Art (Humlebæk). 

Asta Lynge works associatively across materials and processes. She is interested in the notion of progress and its inherent affiliation with technology.

Asta Lynge (b. 1988, Denmark) holds a BFA from Central Saints Martins (2012) and was part of the first iteration of the CSM Associate Studio Programme (2013-16). Past exhibitions include: Overbeck Gesellschaft Kunstverein Lübeck (Lübeck), Malmö Konsthall (Malmö), Den Frie (Copenhagen), Skal Contemporary (Skagen), Overgaden (Copenhagen), Francis Irv (New York), Braunsfelder (Cologne), Giorno Poetry Systems (New York), Kunsthal Charlottenborg (Copenhagen), Cherry Hill (Cologne), HEART Museum of Contemporary Art (Herning), Fuglsang Kunstmuseum (Fuglsang), Lagune Ouest (Copenhagen), Le Bourgeois (London), Cittipunkt (Berlin), Cucina (Copenhagen), BIZARRO (Copenhagen) and dépendance (Brussels). Lynge is the recipient of Anne Marie Carl Nielsen’s talent prize (2022).